The car’s continued sorting and refinement was carried out by specialist Neil Twyman, who has probably worked on more 8Cs than anyone. As well as making it easier to live with, adding the dog gearbox, moving the central accelerator to the right and improving the seating position, Twyman’s team focused on the car’s detailing.
More authentic features included period Bosch lights, with a stylish spot mounted on the windscreen; correct tonneau-cover clips; and painted registration numbers to look more Italian.
Riding on Blockley triple-stud tyres with narrower 5in covers at the front to further lighten the steering, the car looks as if it’s ready for Le Mans in the early ’30s.
“I’m a big fan of the Long Chassis,” says Twyman. “You get all the magic a Monza delivers, but with better handling and ride. I’ve never known anyone spin one. It’s a shame people don’t drive them more.
“I’ll never forget running a team of three Long Chassis cars at the Silverstone Historic Festival in 1992 with Peter Hannan and Klaus Werner. No Bentley or Mercedes could touch them.”
In 2011 the blue beauty raced at the Donington Historic Festival in the ‘Mad Jack’ 50-minute event, where co-driver Julian Bronson got down to 1 min 39 sec laps and relished every moment.
“What a car,” enthuses Bronson today. “The handling is so progressive and the ride is fantastic. In comparison, a Monza is edgy and hard work – you definitely need a body belt – but not with the Long Chassis. You can understand why Birkin and Howe did so well. One of the best cars I’ve ever driven and top of my dream list.”
The Alfa is going to auction with Bonhams on 5 July 2019
For the past 12 years this great Alfa has been looked after by Phil Stainton, who regularly gets to exercise the collection.
A VSCC man and former restorer, Stainton started out with Austin Sevens and over the years he’s driven some great cars, but the 8C Long Chassis remains a favourite: “For usability and comfort, it would be the Long Chassis every time. Even with the heavier body it still feels very quick.
“There’s something about the 8C that always rewards, and you never get tired of it. To work on they are also a delight: even adjusting the valves is a pleasure. They’re nothing like the fussy nature of a Bugatti.”
Stainton has driven the 8C on some dream roads, and a test route in the south of France is particularly memorable: “There’s a twisty 12km climb up to La Garde-Freinet where you can really work the car hard. The 8C loves this road, and I always stop for a coffee at the top.”
Walsh finally gets his long-awaited drive
None will miss the Long Chassis more than Stainton when it goes to auction with Bonhams at the Goodwood Festival of Speed on 5 July. Like him, I wish I had the millions to own it, but my 30 miles around Cambridgeshire back-roads will never be forgotten.
At the end of the day I ask if I can take photographer Williams out for one final blast. “I can’t imagine how that must have felt in the early 1930s – what a fantastic car,” he enthuses as I reluctantly switch off after a spirited run.
With more time we’d have driven the 8C to the local pub for lunch – in how many supercars could you take three chums for a pint? For this and so many other reasons, the Long Chassis has ultimate appeal for me.
Images: Will Williams. Thanks to Phil Stainton, Neil Twyman and Bonhams
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Mick Walsh
Mick Walsh is Classic & Sports Car’s International Editor