By its keeper’s own admission, the 1956 four-door Dodge Coronet is hardly remarkable in the pantheon of 1950s American automobile styling.
This example isn’t even in amazing condition, but for its owner, film critic and musician Mark Kermode, that’s not the point.
“Every time I get in the car, it makes me smile,” he says. “It’s almost become a mantra in the family – if I’m being miserable, my wife Linda will tell me to go for a drive in the Dodge.”
It’s well worn and far from pristine, yet has been a member of the Kermode family for more than a quarter of a century.
As was the way back in the 1950s and ’60s, American manufacturers tried to retain the basic style cues of their cars for two years rather than just one, hence the ’55 and ’56 Dodge look pretty similar to the casual observer.
Study them today and, with the advantage of hindsight, you can feel every bit of Chrysler stylist Virgil Exner’s frustration with the suits upstairs.
The 1956 version in particular is that halfway house where it is neither car nor spaceship.