Starting with the doors, he worked out from the centre and, thanks to his unwavering attention to detail, the result is a very correct-looking J2.
Once completed, it was sprayed in its original red, matched to the colour found on the doors.
We meet Pring and Weldon in the Cotswolds on one of the last days of summer.
No one can deny that the Allard is distinctive; the long, cigar bonnet, the dinky cycle wings: it’s like a Frazer Nash Le Mans Replica that has been at the gym, working on its muscle tone.
You’re immediately struck by details such as the chipped Bluemel’s steering wheel, the pockmarked chassis frame and the oddly sized doors: despite its hard life, so much of this car is how it left the factory in 1951.
The Allard’s exposed gear and handbrake mechanisms
Entry into the little red seats is inelegant, but once ensconced you know you are there for one reason: to drive.
Everything around you is sparse, simple and in no way designed for safety.
The aluminium dash is clear – a delight.
Sadly, the original Ardun V8 engine has gone and for now the car runs a regular Mercury flathead until the pair of Ardun heads sitting in the Leiter workshop can be built up into an engine in the coming months.
The other change from standard is the gearbox.
Still a three-speed, it is not the Ford transmission that was fitted when the car was new but a stronger and smoother LaSalle unit – a popular upgrade in period.
The flathead V8 crackles into life with just a single churn of the starter, but the first couple of miles are a bit confusing.
Just 173 Allard J2s and J2Xs were built between 1949 and ’54
The Allard feels... loose – surely that can’t be correct?
So you begin press on, pushing the J2 along, quicker through the corners, carrying speed and taking control.
And that is when it comes to life. It is by no means stressful to drive: it just feels ‘right’.
The flathead, one of the most recognised engines in existence, delivers effortless power.
Sydney Allard’s tremendous knowledge of working with Ford components soon reveals itself in a spectacular manner: what could have been a real hotchpotch of components in fact proves to be a well-designed sports-racing car.
While many of the Festival of Britain’s landmark buildings have gone, and Titterington’s frontline career ended just as it seemed to be taking off, this Allard has outlived them all.
And what a magnificent tribute it represents to the golden future of Britain circa 1951.
Images: James Lipman
This was first in our February 2014 magazine; all information was correct at the date of original publication
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