The Italians can do city cars and supercars brilliantly, but historically have tended to flounder when it comes to my favourite type of car: the superfluous status symbol luxury saloon.
Their history is littered with luxury lemons – large pointless cars that have fundamentally failed to grasp what it is that makes buyers tick at the posh end of the saloon market.
The Alfa 6 sits directly within this noble tradition of Italian duffers; indeed it is a case study in how not to do it, which is probably why I have always had an interest in them, even if I have never quite got around to owning one.
The brochure will probably suffice: it was one of the first I sent off for when I started collecting car catalogues as a schoolboy, a lavish affair with various pull-out sections. Explaining the ‘styling philosophy’ the copywriter digs himself a hole when he effectively admits that the Alfa 6 was ‘a better car than it looks’, which in fairness would not be difficult.