The first reaction was of disbelief that there’d been yet another accident. Rubens Barrichello on Friday, the tragedy of Roland Ratzenberger’s loss on Saturday, the shunt on the grid, and now this.
Then there was the tone of Murray Walker’s voice. Clive James famously said that Walker commentated as if his trousers were on fire, but now it was subdued, solemn, measured.
Other memories come back: the look on Johnny Herbert’s face when the Williams returned to the pits on the back of a low-loader; BBC reporter Steve Rider describing Ayrton Senna’s condition as ‘grave’; the sense of apprehension as the race got under way once more.
And then, that night, a feeling that something irreplaceable had been lost. None of the other drivers on the grid had the stature, the charisma, the force of personality that Senna had brought to Formula One.
Years afterwards, an online forum included a thread called ‘The Day the Music Died’, in which people noted the moment at which their interest in contemporary motorsport had started to wane.